Bach Bibliography Search Result

Author : Marissen, Michael
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Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Marissen, Michael	Lutheranism, Anti-Judaism, and Bach's St. John Passion. With an annotated literal translation of the libretto. New York: Oxford University Press, 1998. 127p.				1998	127p
	2.	Marissen, Michael	The Social and Religious Designs of J. S. Bach's Brandenburg Concertos. Princeton Univ. Press, 1995. 160p. - 2/1999. 150p. ISBN: 0-691-00686-5.				1995	160p
	3.	Marissen, Michael	Bach's Oratorios: The Parallel German-English Texts with Annotations. New York: Oxford University Press, 2008. 208p. ISBN13: 9780195367171; ISBN10: 0195367170				2008	208p
	4.	Melamed, Daniel R.; Marissen, Michael	An introduction to Bach Studies. New York and Oxford: Oxford University Press, 1998. xi, 189p.				1998	xi, 189p
	5.	Marissen, Michael	Bach & God. New York: Oxford University Press, 2016. xxi, 257p. ISBN: 978-0-19-060695-4.				2016	xxi, 257p
	6.	Marissen, Michael	On Linking Bach's F-Major Sinfonia and his Hunt Cantata. [BWV 208, 1046a]	Bach	23	2	Fall-Winter 1992	31-46
	7.	Marissen, Michael	More Source-Critical Research on J. S. Bach's Musical Offering.	Bach	25	1	Spring-Summer 1994	11-27
	8.	Marissen, Michael	In Memoriam: J. Reilly Lewis (15 September 1944—9 June 2016).	BachNotesABS		25	Fall 2016	7
	9.	Marissen, Michael	Concerto Styles and Signification in Bach's First Brandenburg Concerto.	BachPerspectives	1		1995	79-101
	10.	Marissen, Michael (ed.)	Creative Responses to Bach from Mozart to Hindemith. Edited by Michael Marissen. - Lincoln, Neb.: University of Nebraska Press, 1998. ix, 160p. ISBN: 0-8032-1048-5. (= Bach Perspectives, 3)	BachPerspectives	3		1998	ix, 160p
	11.	Marissen, Michael	The theological character of J. S. Bach's Musical Offering.	BachStud	2		1995	85-106
	12.	Marissen, Michael	Bach. Brandenburg Kyosokyoku. [Bach. Brandenburg Concertos.] Trans. Tadashi Watanabe.	BCJ		42	May 2000	8-19
	13.	Marissen, Michael	Brandenburg Concertos (Brandenburgische Konzerte). Six Concertos, BWV 1046-1051, which Bach dedicated to Christian Ludwig, Margrave of Brandenburg, in March 1721. [Reproduced from Oxford Composer Companions: J. S. Bach, ed. Malcolm Boyd, 1999, pp.68-73)	BCJ		42	May 2000	28-33
	14.	Marissen, Michael	Yohane Junankyoku BWV 245 Dai-4-Ko. Johannespassion BWV 245 Fassung IV. Kashi Chushaku. [Text commentary by Michael Marissen trans. Kazuhiro Fujiwara].	BCJ		76	Apr 2007	9-40
	15.	Marissen, Michael	Beziehungen zwischen der Besetzung und dem Satzaufbau im ersten Satz des sechsten Brandenburgischen Konzerts von Johann Sebastian Bach.	BeitrBachF	9-10		1991	104-128
	16.	Marissen, Michael	Bach's St. John Passion and the Jews. Bach in the Blood. http://www.yale.edu/ism/colloq_journal/vol4/marissen1.html	Colloquium	4		Autumn 2007	141-143
	17.	Marissen, Michael Anthony	Scoring, Structure, and Signification in J. S. Bach's Brandenburg Concertos. PhD diss., Walthan, MA: Brandeis University, 1991. vii, 251p.	diss.			1991	vii, 251p
	18.	Marissen, Michael	Penzel Manuscripts of Bach Concertos.	DortmundBachF	1		1997	77-87
	19.	Marissen, Michael	Aufführungspraxis und Bedeutung in zwei Instrumentalwerken Johann Sebastian Bachs. [BWV 1047/1, 1079]	DortmundBachF	2		1999	291-301
	20.	Marissen, Michael	A Trio in C major for recorder, violin and continuo by J. S. Bach? [BWV 1032]	EarlyM	13	3	Aug 1985	384-390
	21.	Marissen, Michael	Performance Practice Issues That Affect Meaning in Two Bach Instrumental Works. Chapter 4.	EastmanStudM	28		2004	85-94	[fs]Marshall65
	22.	Marissen, Michael	Historically Informed Rendering of the Librettos from Bach's Church Cantatas.	[fs]Leaver65			2007	103-120
	23.	Marissen, Michael	Bach and Recorders in G.	GalpinSocJ	48		Mar 1995	199-204
	24.	Marissen, Michael	The Character and Sources of the Anti-Judaism in Bach's Cantata 46.	HarvardTheolReview	96	1	2003	63-99
	25.	Marissen, Michael	Organological Questions and their Significance in J. S. Bach's Fourth Brandenburg Concerto.	JAmerMInstrSoc	17		1991	5-52
	26.	Marissen, Michael	A Critical Reappraisal of J. S. Bach's A-major Flute Sonata. [BWV 1032]	JMcol	6	3	Summer 1988	367-386
	27.	Marissen, Michael	On the Musically Theological in J. S. Bach's Church Cantatas.	LutherQ	16	1	2002	48-64
	28.	Marissen, Michael	Blood, People, and Crowds in Matthew, Luther, and Bach.	LutherQ	19	1	2005	1-22
	29.	Marissen, Michael	Relationships between Scoring and Structure in the First Movement of Bach's Sixth Brandenburg Concerto.	MLetters	71	4	Nov 1990	494-504
	30.	Marissen, Michael	J. S. Bach's Brandenburg Concertos as a Meaningful Set.	MQ	77	2	Summer 1993	193-235
	31.	Marissen, Michael	Religious Aims in Mendelssohn's 1829 Berlin-Singakademie Performances of Bach's St. Matthew Passion. Music and Culture.	MQ	77	4	Winter 1993	718-726
	32.	Marissen, Michael	Perspectives on the 'St. John Passion' and the Jews.	NYTimes			2 Apr 2000
	33.	Marissen, Michael	Bach and Josephus on the destruction of Jerusalem. A paper read at Biennial Meeting of the American Bach Society, April 26-28, 2002 at University of Houston, Rice University Houston, TX. 'J. S. Bach: Liturgy--Music--Theology.'	[p]ABS_Houston			Apr 2002
	34.	Marissen, Michael	Religious Meaning and Bach Performance. A paper read at the biennial meeting of the American Bach Society 'J. S. Bach and the Confessional Landscape of His Time' held at University of Notre Dame (South Bend, IN), April 7-10, 2016.	[p]ABS_SouthBend			Apr 2016
	35.	Marissen, Michael	Relationships Between Form and Scoring in J. S. Bach's Brandenburg Concerto No.6. A paper read at the 55th Annual Meeting of the AMS and the 12th Annual Meeting of the Society for Music Theory, 26-29 October 1989 in Austin, Texas.	[p]AMS_Austin			Oct 1989
	36.	Marissen, Michael	Lutheranism, Anti-Judaism, and Bach's St. John Passion. A paper read at the Mid-Atlantic Chapter of the American Musicological Society on 7 October 1995 at Swarthmore College.	[p]AMS_MidAtlantic			Oct 1995
	37.	Marissen, Michael	Performance Practice Issues that Affect Meaning in Selected Bach Instrumental Works. A paper read at the Mid-Atlantic Chapter meeting of the American Musicological Society on 1 April 1995 at West Chester University.	[p]AMS_MidAtlantic			Apr 1995
	38.	Marissen, Michael	Relationships Between Form and Scoring in J. S. Bach's Brandenburg Concerto No.6. A paper read at the Mid-Atlantic Chapter meeting of the American Musicological Society on 21 October 1989.	[p]AMS_MidAtlantic			Oct 1989
	39.	Marissen, Michael	J. S. Bach's Church Cantatas and 'the Jews' in the Gospel of John. A Paper read at the 16th Biennial International Conference on Baroque Music held at University Mozarteum Salzburg, 9-13 July 2014. [BWV 42, 44]	[p]BICB_Salzburg			Jul 2014
	40.	Marissen, Michael; Varwig, Bettina; Begbie, Jeremy	Bach and God. A session presented at the Eighth J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 10-15 July 2017.	[p]BNUK_Cambridge			Jul 2017
	41.	Butt, John; Tomita, Yo; Marissen, Michael; Varwig, Bettina	Principles of Performance Lost and Gained: John Butt on Bach-related subjects in conversation with Yo Tomita, Michael Marissen and Bettina Varwig. A session presented at the Seventh J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 8-10 July 2015.	[p]BNUK_Cambridge			Jul 2015
	42.	Marissen, Michael	Performance Practice Issues that Affect Meaning in Two Bach Instrumental Works. Paper read at the 2nd Dortmunder Bach-Symposions, 21-24 January 1998.	[p]BS_Dortmund			Jan 1998
	43.	Marissen, Michael	The Redemptive Interpretation of Matthew 27: 25 in Bach's St. Matthew Passion. 'American Bach Sources and Current Theological Research in Bach': The Annual Meeting of the Internationale Arbeitsgemeinschaft für theologische Bachforschung, September 10-14, 1997, hosted by the Newberry Library, Chicago as part of its exhibit: 'The Music and Mind of Bach.'	[p]IATB_Chicago			Sep 1997
	44.	Marissen, Michael	Bach, Luther, and Josephus on the Destruction of Jerusalem. Paper read at the Tagung der Internationalen Arbeitsgemeinschaft für theologische Bachforschung e.V. 14.-17. März 2002 in Verbindung mit der Evang.-Luth. Kirchgemeinde Eisenach, der Gesellschaft	[p]IATB_Eisenach			Mar 2002
	45.	Marissen, Michael	Vom Musikalisch-Theologischen in den Kirchenkantaten J. S. Bachs. Paper read at Internationale Arbeitsgemeinschaft für theologische Bachforschung e.V. 'Tradition und Erneuerung in Johann Sebastian Bachs Choralbearbeitungen' Die Gestaltung des lutherischen Kirchenliedes in Bachs Choralkantaten und Orgelchorälen. Symposium vom 30. September - 4. Oktober 1999 im Tagungszentrum Løgumkloster/Dänemark.	[p]IATB_Logumkloster			Oct 1999
	46.	Marissen, Michael	Biblical solutions to Certain Problems in Bach Biography. Paper read at International Bach Symposium Utrecht 2000, University of Utrecht 12-14 September 2000.	[p]IBS_Utrecht			Sep 2000
	47.	Marissen, Michael	New Theological Research on Bach's Church Cantatas and Oratorios. A paper read at the International Music Symposium 'Recent Research in Baroque Music' held at Roosevelt Academy (Holland) on 22 March 2005.	[p]IMS_Middelburg			Mar 2005
	48.	Scheide, William H.; Marshall, Robert L.; Marissen, Michael; Wolff, Christoph	Arthur Mendel and the World of J. S. Bach. Lecture given at 'Bach and Mendel': A Special Symposium in Celebration of the Centenary of Professor Arthur Mendel and the Sixtieth Anniversary of The Bach Reader, Saturday, November 19, 2005 at the Princeton University.	[p]Mendel60BR			Nov 2005
	49.	Marissen, Michael	Blood, people and crowds in Matthew's Gospel, Luther's New Testament and Bach's St. Matthew Passion. Passion, Affekt und Leidenschaft in der Frühen Neuzeit. 11. Jahrestreffen des Wolfenbütteler Arbeitskreises für Barockforschung in der Herzog August Bibliothek Wolfenbüttel vom 2. bis 5. April 2003	[p]WAfB_Wolfenbüttel			Apr 2003
	50.	Marissen, Michael	Bach-Repertoire für Flötisten. Noten	Tibia	12	3	1987	537-540